Pinnacle studio 19 ultimate software12/18/2022 ![]() It will lower the secondary audio below your main track, giving you automatic audio ducking. ![]() It was very easy to use tell the program the relationship you want the main audio and the background track and you are done. Next is the new automatic audio ducking feature. Pinnacle Studio 19 Ultimate multi camera editor It’s just a bit clunky, and we would have liked it to have a few less steps to achieve the same result. However, it’s still a neat feature and most definitely would be helpful when cutting between multiple cameras. As we explained above, the process is not as intuitive as it could be. There’s yet another pack this time around, NewBlue Video Essentials IV, with 10 creative effects such as Fish Eye, Magnifying Glass and Luma Key, which hides pixels beyond a given brightness threshold.The three main new features that make this release relevant are multi-camera editing, automatic audio ducking and XAVC and DVCPRO HD decoding. Studio Ultimate already scored highly for its effects, particularly in the third-party bundles from Red Giant and NewBlue. Footage from the Panasonic GX8 and FZ330 suffered a similar fate. I eventually narrowed the problem down to Panasonic G6 footage, which sent the Multi-Camera Editor into a nosedive even though the main editor had no problems with it. A reinstall was the only way to get back up and running. Eventually I got to a point where the software crashed as soon as it launched because it was trying to recover a corrupted project. Attempting to combine footage from three different cameras caused the software crash repeatedly. It coped better with four streams, although it varied widely depending on which cameras’ footage was used. Preview performance in the Multi-Camera Editor was pretty bumpy when editing six 1080p AVC streams on our Core i7 870 PC. That’s a fair compromise, though, and there’s a clear warning before you do so. Returning to the Multi-Camera Editor is possible too in order to access the multiple thumbnails, although doing so discards any edits performed outside this editor. It’s also possible adjust the timing of cuts here, or to switch streams, without losing sync. I particularly like how an effect can be applied to a single cut, to one of the underlying video streams or the entire multi-camera object. Double clicking it unpacks it on the main timeline, whereupon transitions and effects can be added. A single soundtrack is used, either from one of the video streams or a separate audio file.īack in the main editor, the Multi-Camera Editor’s output is represented by a single object. These edits can be performed live during playback, and can also be adjusted on the timeline either by dragging the start and end points or by right clicking to select an alternative stream. The edited footage appears in a bigger preview window. Each one plays back in a thumbnail-sized window, and cutting between them is a simple matter of clicking on one of the thumbnails. The various cameras’ footage is synchronised automatically by analysing their soundtracks. The manual explains how to use it but not where to find it – I eventually tracked it down in the right-click menu when browsing assets in the Library. Studio 19 supports up to six simultaneous streams in the Ultimate edition, four in Studio Plus and two in the entry-level version. ![]() The Multi-camera Editor synchronises and cuts between footage shot simultaneously with multiple cameras
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